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Culture Minister defers export of Britain’s first Kangaroo and Dingo

06 February 2013

Categories:
Museums and Libraries

The two paintings by George Stubbs that gave the British public its first glimpse of strange creatures from the “New World” are at risk of leaving the UK unless a matching offer from a UK buyer can be found.

Culture Minister Ed Vaizey has placed a temporary export bar on the two works “The Kongouro from New Holland (The Kangaroo) and Portrait of a Large Dog (The Dingo)” to provide a last chance to raise the £5,500,000 needed to keep the painting in the UK.

As a major figure in British art history, Stubbs is well known as a painter of horses, dogs and sporting subjects; however
The Kangaroo and The Dingo were amongst the very few creatures Stubbs was unable to paint from life. Instead, he worked from verbal accounts, and in the case of The Kangaroo, from slight sketches and inflating the preserved skin.

The paintings were first exhibited in 1773 at the Royal Academy, and were hugely important in bringing to public attention two of the animals which were to be most closely identified with the extraordinary and baffling new world of Australia. They were almost certainly commissioned by Sir Joseph Banks (1743-1820), immediately following his part in Captain James Cook’s celebrated ‘first voyage of discovery’ to the Pacific (1768-1771).

The Minister’s ruling follows a recommendation by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA). The Committee recommended that the export decision be deferred on the grounds that the paintings were so closely connected with our national life that their departure would be a misfortune; and that they were of outstanding significance for the study of eighteenth century exploration of Australia and the public dissemination of knowledge during the Enlightenment.

Chairman of the RCEWA, Lord Inglewood said: “It would be a terrible shame if the UK were to lose these extraordinary paintings to an overseas buyer. They were the British public’s first introduction to these exotic animals from the Australasian New World which was opening up at that time.”

The decision on the export licence application for the paintings will be deferred for a period ending on
5 August, 2013 inclusive. This period may be extended until 5 November, 2013 inclusive if a serious intention to raise funds to purchase the paintings at the recommended price of £5,500,000 (net of VAT, amount to be confirmed, which could be reclaimed by most institutions.)

Offers from public bodies for less than the recommended price through the private treaty sale arrangements, where appropriate, may also be considered by Mr Vaizey. Such purchases frequently offer substantial financial benefit to a public institution wishing to acquire the item.

Notes to editors

  1. Organisations or individuals interested in purchasing the painting should contact RCEWA on 0845 300 6200.

  2. The details of the paintings are:
    A pair of paintings by George Stubbs representing Australian mammals in landscape settings, one identified as a Kangaroo and the other as a Dingo

    Oil paint on two panels
    60.5 x 71.5 cms and 61 x 71 cms
    Both panels are signed and dated 1772

  3. Provenance:
    Commissioned 1771/1772 by Joseph Banks, 1st Bt. 1782, d.s.p. 1820;
    Passing to Dorothea, née Hugessen (1758-1828), the wife of the above, and co-heiress, along with her sister, Mary (1761-1784), of the estate of her father, William Hugessen;
    Passing by descent through the family of Mary Knatchbull, née Hugessen (1761-1784, as above);
    Mrs Mary Keith, great-great-grand-daughter of the above, by 1951;
    Passing inter-family, circa 1970, at the request of Mrs Veronica Tritton, the great-great-grand-daughter of Mary Knatchbull, née Hugessen (1761-1784, as above);
    By descent.

  4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by Arts Council England, which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.
  1. Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. Between 2011 and 2015, it will invest £1.4 billion of public money from government and an estimated £1 billion from the National Lottery to help create these experiences for as many people as possible across the country. www.artscouncil.org.uk