Lusieri was one of the most sophisticated and innovative of eighteenth century landscape artists especially so as he chose to work in watercolour, a medium more closely associated with artists from northern Europe, notably Britain, Germany and Switzerland, rather than Lusieri’s native Italy. These paintings highlight Lusieri’s exceptional technical skills as a draughtsman and watercolourist. There are only five works by Lusieri in UK public collections, but arguably none of the limpid beauty to be found in these two panoramas dating from the very outset of his career.
Culture Minister Ed Vaizey took the decision to defer granting an export licence for the paintings following a recommendation by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA), administered by Arts Council England. The RCEWA made their recommendation on the grounds they are of outstanding aesthetic importance and of outstanding significance for study of the history of the development of the landscape watercolour, as well as the work of Lusieri, and the history of English Grand Tour patronage. The watercolours are also of interest for the light they might shed on the work of contemporary British artists working in Rome, such as Francis Towne and Thomas Jones, an influence that remained to be studied in depth.
Last year’s exhibition of Lusieri’s works at the Scottish National Gallery demonstrated how crucial the study of his work is to understanding the development of the panorama and of painting directly from nature
Culture Minister Ed Vaizey said:
“There is much more research to be done on these pivotal works, and with so few examples of Lusieri’s work in UK public collections, I hope we can find a buyer to keep them in the UK.”
Referring to the importance of the works, RCEWA member Aidan Weston-Lewis commented:
“Acquired directly from the artist by an English patron, these exceptional views belong to a key moment in the evolution of the panoramic cityscape. With their unerring draughtsmanship and magical effects of light and aerial perspective, they are also works of stunning beauty”.
The decision on the export licence application for the paintings will be deferred for a period ending on 18 March 2014 inclusive. This period may be extended until 18 July 2014 inclusive if a serious intention to raise funds to purchase the paintings is made at the recommended price of £481,875 (net of VAT) for the Panoramic view of Rome: From Saint Pater’s to the Chiesa Nuova and £361,875 (net of VAT) for Panoramic view of Rome: From the Capitoline Hill to the Aventine Hill.
Notes to editors
1. Organisations or individuals interested in purchasing the paintings should contact RCEWA on 0845 300 6200.
2. Details of the paintings are as follows:
Two watercolour views of Rome
Pencil, pen and brown ink and watercolour
545 x 935mm (St Peter’s to Chiesa Nuova) and 552 x 978mm (Capitoline Hill to the Aventine Hill)
Giovanni Battista Lusieri, called Titta Lusieri (1754-1821)
Probably commissioned in 1778
3. Images can be found here: http://www.flickr.com/photos/thedcms
4. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by Arts Council England, which advises the Secretary of State for Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.
5. Arts Council England champions, develops and invests in artistic and cultural experiences that enrich people’s lives. Between 2010 and 2015, it will invest £1.9 billion of public money from government and an estimated £1.1 billion from the National Lottery to help create these experiences for as many people as possible across the country. www.artscouncil.org.uk